Hurrah for Ten Letters!

1401640_1037041936329796_2762569239977130050_o

“All my life I’ve been studying and teaching poetry, but with frustration at how this seemed to be a niche academic activity. Last night it was a performance art, and it sang. This is wonderful. Congratulations!”

10818434_1037042022996454_5545126529098611867_o 10835453_1037042156329774_1502316851535645671_o

“(I enjoyed) The passion in every performer. Everyone delivered and conveyed REAL things about Birmingham.”

10869775_1037041796329810_7537111832603310083_o 11221853_1037041609663162_5973326419089963763_o11057354_1037041922996464_1501946747424477423_o
“It was AWESOME!” – year 9 student from Park View School

11231098_1037041589663164_6029084031750458616_o 11921717_1037042116329778_4876979224266672121_o 11934529_1037041942996462_783192223438419583_o 11947736_1037041719663151_5860188818753871201_o11947786_1037042042996452_8579503516039160037_o

“I enjoyed variety. Each poem was so different, yet all enjoyable and no matter how personal, they were all relatable.”

11947920_1037042122996444_8563899040808387972_o 11950180_1037041806329809_3397309839575062990_o 11950316_1037041392996517_1050860748041726036_o 11952851_1037041516329838_5420357384270571408_o

“Too many highlights to list.”

11958205_1037041562996500_4492768144560062857_o 11999574_1037041536329836_4151079775564668498_o

“Beautiful, amazingly talented, funny, BOSTIN!”

 

11999730_1037042072996449_3736638858895303355_o 12002402_1037041716329818_3163519812974065630_o 12002571_1037041502996506_1806784149078263320_o

Did you come along to Ten Letters? What did you think of the evening?

Let the Poem Breathe

By Lorna Meehan
Directing poetry from an actor’s point of view has been really interesting for me in terms of noticing the difference in delivery when a poet is in front of a mic in a setting they’re familiar with and the possibilities it opens up when you take the mic away. Something I’ve said to everyone at some point this week, as well as bearing in mind for myself is ‘slow it down, let it breathe’. As poets, we can get so use to reeling our poem off we can forget the feeling behind it, the reason we wrote it, it’s sense of pace and narrative. It’s been really satisfying to find moments in each poem where the audience can get invited in to the world of the poem as well as the words. We’ve experimented with finding the perfect middle ground between just the poet and the words and all out theatricality and the result is an atmospheric experience where the performance and the poem are hitting all the right notes. It’s also been great to be able to nudge the poets out of their comfort zones and get them to try something different to colour their default delivery style. It’s been great to see how surprised they are with the results and how much can happen just by taking the traditional prop out of the scenario and giving the poets the added element of physical space in which to bring their work to life in a different way.

A Big Thank You

Today is the big day so we’d like to say a big thank you to Arts Council England, Apples and Snakes West Midlands and everyone who pledged to Crowdfunder and made Ten Letters possible:

A.F. Harrold
Eamon Maher
Roz Goddard
Jasmine Gardosi
Janet Harrison
Pete Spoz
Tom Davis
Deidre Burton
Cristina Chandler
Bilbo Baggins
Lorraine Boyce
Oliver Armstrong
Keith Pearce
Shel Hodges
Mark Leonard
Jan Drinkwater
Louise Couch
Jo Harvey Wilcox
Ian Gilgamesh Hurlston
Sue Ozzydog
Simon Venables
Thank you!

A Big Hello from Emma Purshouse

When I was asked to be involved in the Ten Letters project I was delighted.  It sounded like such a great idea.  At the first meeting I was blown away by the talent on display and the ideas that the other poets had for writing about their city.  It was truly inspiring.  I’m originally from Wolverhampton not Birmingham,  although I work in a Brum a fair bit and travel through it fairly often on my narrow boat.  If I’m honest I sometimes get a bit overwhelmed by the crowds, traffic and the height of the buildings, that’s not to say I’m not impressed because I am.  It was that feeling that gave me the starting point for my poem.  I then developed the idea a little further by linking in with the idea of a ‘Greater Birmingham’ that has been lurking around in recent times.  The ‘voice’ in my poem is that of an area outside Birmingham that’s a little bit fearful of losing its identity to its rather flamboyant neighbour.  I’m currently pounding the tow paths trying to learn the piece, frightening dog walkers and boaters alike.  So if you see a woman down the cut with a slightly demented expression who appears to be talking to herself in a very broad accent, then do stop and say hello 🙂

Directing Poetry Theatre

So my friend Spoz told me about this idea he’d had knocking around since a poetry trip to Chicago where they got asked to write poetry about your city. This prompted me to write my own and before you know it, poets we knew were coincidentally coming out with Birmingham poems. That’s when you know you’ve tapped into something!
So we got our funding and  ‘Ten Letters’ is happening and I’m seriously impressed by the writing that our fantastically talented group of poets have come up with so far. The poetry isn’t always celebratory, its challenging, topical, subversive, nostalgic, playful and breath-taking, all the things a city can encapsulate. This idea of a physical city being personified through words is something that each poet has tapped into in their own way and the combination of these poets on stage promises to be an electrifying experience.
It also marks my début as a poetry theatre director. Having either directed theatre or self directed my own poetry work, it’s going to be an interesting and challenging experience directing a group of poets, some of whom have acting experience, others who don’t, but all of them can communicate their work to the audience so in this sense, half the work is already done.
As an actor who fell into performance poetry, I feel like I’ve always been working towards a way of fusing poetry with more theatrical elements, that hazy place where a poem essentially becomes a narrative and the poet a storyteller. I think the boundaries of poetry theatre need to be stretched in a different way for each individual piece and in this sense there are no rules, but there needs to be balance and structure. So as we gear up to our intensive rehearsal period in July, I look forward to going on a journey out of my comfort zone with a talented group of people to reflect our experience of our city to an audience in a way they’ve never seen before. I hope you like it 🙂

What’s this Ten Letters thing about?

So … here we are at last. It’s been a long time coming but the Ten Letters bus is well and truly rolling. The nugget of the idea started a couple of years ago in Chicago (yeah … I’m a shocking name dropper!), stalled a few times along the way, but thanks to some great encouragement from some great friends, past and present, we’re on our way.
“So … what’s it all about then Spoz?”. Well, that’ll be up to the brilliant poets we’ve got involved. They’re letters to this sometimes marvellous and sometimes infuriating city we live in (that’s Birmingham by the way) from young and not so young voices … intergenerational voices … stories of the past, present and future … stories of hope and frustrations, procrastinations, punctuated with images and sounds from some bostin musicians and video artists. Crikey … that was almost poetic.
Come to the Hexagon Theatre at MAC Birmingham on either Monday 13th or Tuesday 14th July to see the start of the Ten Letters evolution. This is Volume 1. An anthology and CD is on the way too. And extra volumes. And more shows in the future. Like I said, it’s just the start.
Mahoosive thanks to Arts Council England, MAC Birmingham, Apples and Snakes (WM) and everyone who pledged on our Crowdfunder.